Brussels State Secretary for Urban Planning and Heritage, Ans Persoons, unveiled ‘LONG PLAY’, an artwork by Belgian-Cameroonian artist Pascale Marthine Tayou, at the Parc du Cinquantenaire on Wednesday.
The artwork, now owned by urban.brussels, symbolises dialogue in a space rich with history, present, and memory. It stands out with vivid colours and diverse materials, addressing themes such as identity, globalisation, and postcolonial legacies.
Pascale Marthine Tayou, based in Ghent, aims to spark dialogue on Belgium’s colonial past and the future of Belgian society.
“This artwork’s location is no coincidence, situated in a place symbolising Belgian power,” State Secretary Ans Persoons remarked at the inauguration. “The Parc du Cinquantenaire is not neutral; it should evolve, hosting contemporary art.”
According to the artist, the vinyl record serves as a “commemorative object.” “History includes colonialism. It isn’t necessarily a critique of Belgium, but rather my interpretation of our history," he explained. "It’s a step towards decolonising public spaces.”
The artwork also encourages reflection and connections among individuals. “Critiques should come with proposals," he argues. "This piece urges collective thinking on transforming negative passions of the past into positive ones for the future.”
‘LONG PLAY’ continues Tayou’s work, known for colourful and thought-provoking installations that challenge colonial pasts, inequalities, and relationships with others. His works can also be seen in Douala, Paris, and Amsterdam.
